Items where Course is BA (HONS) CREATIVE AND PERFORMING ARTS

Up a level
Export as [feed] RSS
  • Course Codes (2816)
    • BA (HONS) CREATIVE AND PERFORMING ARTS (11)
Group by: Author | Item Type
Jump to: B | G | H | J | L | M | R | S | T
Number of items at this level: 11.

B

Bond, Sarah (2012) How do the escapist, Utopic tendencies of musical theatre add to its significance as a form of entertainment?: from reality to dreams, an exploration of the fantastical world of the musical. BA dissertation, University of Portsmouth.

Buck, Emily (2012) You can like the life you’re living, you can live the life you like: an exploration into the representation of femininity in musical theatre. BA dissertation, University of Portsmouth.

G

Gunn, Nathalie (2011) An analysis from a Marxist perspective of the novel 'Wicked: the life & times of the Wicked Witch of The West', by Gregory Maguire and its musical adaptation ‘Wicked’ the Musical, by Stephen Schwartz. BA dissertation, University of Portsmouth.

H

Heelis, Paul (2011) Commodification, commercialism and capitalism: a study of current West End theatre. BA dissertation, University of Portsmouth.

J

Jackson, Alice (2011) How might American silent slapstick film be seen as a political tool? Considering the theories of the Frankfurt School and recent developments in media. BA dissertation, University of Portsmouth.

L

Lowe, Charlotte (2011) From ‘hip-hop’ to ‘hip-pop’: the consequences of capitalism on hip-hop music. BA dissertation, University of Portsmouth.

M

McNichol, George (2012) Doctor Who? an eclipse in the search for transcendental truth. BA dissertation, University of Portsmouth.

Moore, Isabelle (2011) The evolution of the character of 'the witch' in the performing arts: to what extent can the evolution of the character of the witch be linked to the development of feminism? BA dissertation, University of Portsmouth.

R

Reed, Amy (2012) Somewhere over the rainbow: how can 'The Wizard of Oz' help to illuminate Lacanian theory, and in turn, aid in the understanding and authenticity of musical theatre? BA dissertation, University of Portsmouth.

S

Smith, Victoria (2011) A study of the interconnections between the films of Stan Brakhage and the works of Paul Cezanne, Shauma Beharry and John Cage through phenomenology. BA dissertation, University of Portsmouth.

T

Taylor, Sally (2011) A Foucauldian discursive analysis of the formation of national, musical and personal identity focusing on Porter’s ‘Fight songs’ composed whilst at Yale University and his later popular works. BA dissertation, University of Portsmouth.

This list was generated on Mon May 29 08:45:28 2017 IST.