Items where Course is BSC (HONS) MUSIC AND SOUND TECHNOLOGY

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  • Course Codes (2816)
    • BSC (HONS) MUSIC AND SOUND TECHNOLOGY (53)
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Number of items at this level: 53.

A

Allison, Christopher (2011) Surround sound in video games: does surround sound enhance the gameplay experience? BSc dissertation, University of Portsmouth.

B

Banks, Christopher (2011) An analysis of Oval’s Systemisch in the context of Schaefferian theory. BSc dissertation, University of Portsmouth.

Barham, Richard (2008) How do soundtracks, including music, Foley and wildtrack, support ideas of narrative in documentary film? BSc dissertation, University of Portsmouth.

Belton, Samuel George (2013) The Cristal Baschet: an investigation into the past, present and future. BSc dissertation, University of Portsmouth.

Bradbury, Milton (2010) To what extent can black urban music be blamed for violence in the UK since 2000? BSc dissertation, University of Portsmouth.

Burrows, Matthew (2016) Sonification wizard: a toolbox for the sonification of data. BSc dissertation, University of Portsmouth.

Buxton, Amy Louise (2012) How has the music industry changed since the advent of digital record labels? BSc dissertation, University of Portsmouth.

C

Carr, Phillipa (2016) An analysis of Sigur Rós production techniques. BSc dissertation, University of Portsmouth.

Clark, Ryan (2015) What influence have the advances in technology had on the recording and distribution of music in the 21st century? BSc dissertation, University of Portsmouth.

Clarke, Liam (2016) An analysis into the importance of sound & music in relation to video game immersion. BSc dissertation, University of Portsmouth.

Collyer-Greer, Cleo (2016) Chased by snakes: a client-led approach to creating music and sound effects for an action-adventure game. BSc dissertation, University of Portsmouth.

Crowe, Aaron (2010) What were the key developmental issues that affected the production and consumption of British popular music from 1965-69? BSc dissertation, University of Portsmouth.

D

Dymond, Peter (2016) Exploring the methods and techniques for composing music for motion picture, focusing on portraying how music enhances emotions associated with loss. BSc dissertation, University of Portsmouth.

F

Farrell, Sophie (2016) Lost in music: an investigation into the factors that affect student engagement within music education taught in secondary schools in England. BSc dissertation, University of Portsmouth.

Foster, Daisy (2016) ‘Whine like a dancehall queen’: are women empowered in dancehall music? BSc dissertation, University of Portsmouth.

Fouracre, James Richard Ford (2015) Is MIDI technology still relevant or suitable in modern audio systems and does this technology encourage or influence the users creative process?: a study using affordances and constraints. BSc dissertation, University of Portsmouth.

H

Harper, Samuel James (2015) How did British attitudes influence the cultural development of Indian music in the period of British colonial rule? (1612–1947). BSc dissertation, University of Portsmouth.

Hicks, Kier James (2015) Building a guitar valve amplifier to the specifications of the AB763 Deluxe Reverb circuit with self-selected modifications. BSc dissertation, University of Portsmouth.

Howard, Padraig (2013) What are the key issues facing women who aspire to succeed within the modern British music industry. BSc dissertation, University of Portsmouth.

I

Illingworth, Ethan (2012) Sonic warfare and music both exploit the negative effects of sound: what are the similarities - if any - between these two distant practices? BSc dissertation, University of Portsmouth.

J

Jackson, Bradley (2012) How has modern sound technology developed in the broadcasting of English football? BSc dissertation, University of Portsmouth.

Johnston, Daniel (2016) The design and use of interactive sound and visual software in the development and therapy of those with special needs. BSc dissertation, University of Portsmouth.

jones, Max (2015) We need to talk about tension: how does music create tension in cinema? BSc dissertation, University of Portsmouth.

K

Kanji, Aabid (2016) Recording drums on a budget: an exploration and investigation into recording a drum kit whilst minimising costs. BSc dissertation, University of Portsmouth.

Kavanagh, James (2016) An exploration, analysis and realisation of experimental rock music (1966-1999). BSc dissertation, University of Portsmouth.

L

Levine, Sean (2016) Recording studio design and architecture and the influence and effects it has had on music recording and productions techniques. BSc dissertation, University of Portsmouth.

Libene, Piret (2015) An investigation into the acoustic condition of the Seaplane Harbour Museum, with view for progress via acoustic treatment. BSc dissertation, University of Portsmouth.

Littlefield, Ryan (2016) The psychoacoustic effect of infrasonic, sonic and ultrasonic frequencies within non-lethal military warfare techniques. BSc dissertation, University of Portsmouth.

M

McKinnon, Mattea (2013) An examination of the fundamental drivers and changes within the Acid House subculture between the late 1980s and early 1990s and an analysis of its impact and legacy. BSc dissertation, University of Portsmouth.

McLachlan, Euan (2016) How does the musical awareness of the listener affect where the line is drawn between influence and plagiarism in pop music? BSc dissertation, University of Portsmouth.

Moreno, Kahla (2015) 'I Don't Give A Damn 'Bout My Bad Reputation': How have attitudes towards feminism and its representation within the Popular Music industry progressed and is the issue still relevant? BSc dissertation, University of Portsmouth.

Morgan, Nicholas (2016) Hybrid: creating a framework for an audiovisual installation demonstrating genre hybridisation. BSc dissertation, University of Portsmouth.

Moth, Robert (2013) Between 1985 and the present day, which of the factors affecting the workflow of commercial recording studios has held the biggest influence? BSc dissertation, University of Portsmouth.

Mullins, Luke (2016) What are the most effective strategies in inducing fear in players of horror video games using sound design? BSc dissertation, University of Portsmouth.

Murphy, Conor (2016) Are microphones best suited for their intended purpose alone or can they be applied to any recording situation? BSc dissertation, University of Portsmouth.

Mylis, Dimitrios (2016) A composition informed by a study on the emotional power of music. BSc dissertation, University of Portsmouth.

N

Newcombe, Ben (2016) What are the functions of audio in game and how can sound be used as a core aspect of gameplay? BSc dissertation, University of Portsmouth.

P

Pearce, Daniel (2016) Motivations for listening to sad music: a holistic analysis. BSc dissertation, University of Portsmouth.

Pearce, William (2011) How has the development of digital music in the 21st century affected the relationship between the recording artist, the consumer and the record label? BSc dissertation, University of Portsmouth.

Pinkney, Gavin (2010) How has the music of cinema influenced music within the video game industry? BSc dissertation, University of Portsmouth.

Prutton, Daniel (2016) An analysis of sound design in two of the most critically acclaimed works of Ben Burtt. BSc dissertation, University of Portsmouth.

R

Richardson, Michael (2016) A digital re-imagining of the hand-powered music box. BSc dissertation, University of Portsmouth.

S

Smith, Lance (2013) Dubstep: a hermeneutic analysis. BSc dissertation, University of Portsmouth.

Smith, Victoria (2016) What are the issues concerning the representation of women in rock music? BSc dissertation, University of Portsmouth.

Spindler, Imogen (2016) Did the 1960s popular off shore pirate radio stations influence the developments in BBC radio in 1967? BSc dissertation, University of Portsmouth.

T

Tottle, Henry (2013) How can acoustic treatment and soundproofing be used in a home studio. BSc dissertation, University of Portsmouth.

Turner, Harry (2016) Can the Buchla 200e system 7 be used to create neurofunk music? BSc dissertation, University of Portsmouth.

U

Udateanu, Mihai (2016) Procedural soundscape modelling for video games. BSc dissertation, University of Portsmouth.

W

Walters, Ben (2016) The world remixed: exploration into the techniques and practices of musique concrète and acoustic ecology. BSc dissertation, University of Portsmouth.

Welch, Jack (2010) Name that tune: what music is best suited to make television advert memorable? BSc dissertation, University of Portsmouth.

Williams, Jack (2013) An examination of factors that contributed to the emergence of rock music in Britain from 1965-1970. BSc dissertation, University of Portsmouth.

Williams, Samuel (2016) What are the key issues faced when creating a sound effect library ready for distribution? BSc dissertation, University of Portsmouth.

Y

Yardley, Robert G. (2011) Music and the acquisition of water skills. BSc dissertation, University of Portsmouth.

This list was generated on Mon Nov 20 05:14:28 2017 GMT.